Korean Martial Arts
♫ June 1st, 2011 9:12 pmTo comprehend how Korean martial art evolved, we must analyze the social, political and religious influences that the country went through. The Koreans were colonized by the Japanese for a long time and they embraced Neo-Confucianism. At that point in time, the Koreans developed a disinterest in martial arts.
Years after, the indigenous Korean art forms barely survived in the original and there is little in terms of archives that one can refer to. The lack of documentation makes it difficult to pinpoint the original art forms of Korea. Purists argue that it was in Korea that several martial art forms originated and then traveled to China, from where they went to Japan and then came back to Korea.
After their liberation in 1945, Korean martial artists made conscious efforts to re-establish Korean martial arts and cleanse themselves of the influence of Japanese occupation. In this revival the martial artists did not have much to rely on in terms of written records.
Muyedobotongji is perhaps the only surviving ancient text on Korean martial arts, the only authentic reference manual for Koreans keen to discover their old traditions. As a result this revival phase saw recompilation or reorganization of techniques that are not wholly traditional but also imported by Koreans studying the arts of the neighboring regions. It is only in the 20th century when Taekwondo, the form synonymous with Korean martial arts, was organized into its present form.
The present set of Korean martial arts has a very strong visual resemblance to art forms of China. Influences of boxing as well as western martial arts are also visible. Taekyon, a dance-like martial art features kicks, sweeps, and strikes while Ssireum (Korean wrestling) resembles Mongolian wrestling. Yudo, Kumdoo, Tang Soo Do, Mudokkwan Subakdo have all be reconstructed with considerable Japanese and Chinese influence. On the other hand Gukgung, Sonmudo and Bulmudo more or less survive in their pure forms.
